IDENTIFY MINIMAL PAIRS

word 1word 2IPA 1IPA 2note
pinbin/pɪn//bɪn/initial consonant
rotlot/rɒt//lɒt/
thighthy/θaɪ//ðaɪ/
zealseal/ziːl//siːl/
binbean/bɪn//biːn/vowel
penpan/pɛn//pæn/
cookkook/kʊk//kuːk/
hathad/hæt//hæd/final consonant
meanmeme/miːn//miːm/

Quantity

Many languages show contrasts between long and short vowels and consonants. A distinctive difference in length is attributed by some phonologists to a unit called a chroneme. Thus, Italian has the following minimal pair that is based on long and short /l/:

spellingIPAmeaning
pala/ˈpala/shovel
palla/ˈpalla/ball

However, in such a case it is not easy to decide whether a long vowel or consonant should be treated as having an added chroneme or simply as a geminate sound with phonemes.

Classical LatinGerman, some Italian dialects, almost all Uralic languagesThai, and many other languages also have distinctive length in vowels. An example is the cŭ/cū minimal pair in the dialect that is spoken near Palmi (CalabriaItaly):

Dialect spoken in PalmiIPAQualityEtymologyLatinItalianEnglish
Cŭ voli?/kuˈvɔːli/shortcŭ < lat. qu(is) (“who?”)Quis vult?Chi vuole?Who wants?
Cū voli?/kuːˈvɔːli/longcū < lat. qu(o) (ill)ŭ(m) (“for-what him?”)Quō illum/illud vult?Per che cosa lo vuole?For what (reason) does he want him/it?

Syntactic gemination

In some languages like Italian, word-initial consonants are geminated after certain vowel-final words in the same prosodic unit. Sometimes, the phenomenon can create some syntactic-gemination-minimal-pairs:

Italian sandhiIPAMeaningSample sentenceMeaning of the sample sentence
dà casa/dakˈkasa/(he/she) gives (his/her) houseCarlo ci dà casa.Carlo gives us his house.
da casa/daˈkasa/from homeCarlo uscì da casa.Carlo got out from home.

In the example, the graphical accent on  is just a diacritical mark that does not change the pronunciation of the word itself. However, in some specific areas, like Tuscany, both phrases are pronounced /daˈkkaːza/ and so can be distinguished only from the context.

Tone

Minimal pairs for tone contrasts in tone languages can be established; some writers refer to that as a contrast involving a toneme. For example, Kono distinguishes high tone and low tone on syllables:[4][5]

tonewordmeaning
high/kɔ́ɔ́/‘to mature’
low/kɔ̀ɔ̀/‘rice’

Stress

Languages in which stress may occur in different positions within the word often have contrasts that can be shown in minimal pairs, as in Greek and Spanish:

languagewordIPAmeaning
Greekποτέ/poˈte/ever
Greekπότε/ˈpote/when
Spanishesta/ˈesta/this
Spanishestá/esˈta/(he/she/it) is

Juncture

English-speakers are able to hear the difference between, for example, “great ape” and “grey tape”, but phonemically, the two phrases are identical: /ɡreɪteɪp/.[6][7] The difference between the two phrases, which constitute a minimal pair, is said to be one of juncture. At the word boundary, a “plus juncture” /+/ is posited and said to be the factor conditioning allophones to allow distinctivity: the result is that “great ape” has an /eɪ/ diphthong shortened by pre-fortis clipping and, since it is not syllable-initial, a /t/ with little aspiration (variously [t˭], [ɾ][ʔt], [ʔ], etc., depending on dialect); meanwhile in “grey tape”, the /eɪ/ has its full length and the /t/ is aspirated [tʰ].

Only languages with allophonic differences associated with grammatical boundaries have juncture as a phonological element. It is claimed that French does not have juncture as a phonological element[8] so, for example, “des petits trous” (little holes) and “des petites roues” (little wheels), phonemically both /depətitʁu/, are phonetically identical.

Minimal sets

The principle of a simple binary opposition between the two members of a minimal pair may be extended to cover a minimal set in which a number of words differ from one another in terms of one phone in a particular position in the word.[9] For example, the vowels /a/, /e/, /i/, /o/, /u/ of Swahili are shown to be distinct by the following set of words: pata ‘hinge’, peta ‘bend’, pita ‘pass’, pota ‘twist’, puta ‘thrash’.[10] However, establishing such sets is not always straightforward [11] and may require very complex study of multiple oppositions as expounded by, for example, Nikolai Trubetzkoy.[12]

KLIK LINK BELOW TO SEE THE TABLE :

https://drive.google.com/file/d/1vqEGJFagxVRBlSvQkbwe6tiwiFYGiVtW/view?usp=sharing

REFERENCES :

  1.  Jones, Daniel (1944). “Chronemes and Tonemes”.
  2. ^ Pike, Kenneth (1947). Phonemics.
  3. ^ Swadesh, M. (1934). “The Phonemic Principle”.
  4. ^ Roach, Peter (2001). Phonetics. Oxford. p. 25. ISBN 978-0-19-437239-8.
  5. ^ Manyeh, Morie Komba (1983). Aspects of Kono Phonology (PhD). University of Leeds. p. 152.
  6. ^ Jones, D. (1931). The “Word” as a phonetic entity.
  7. ^ O’Connor and Tooley (1964). The perceptibility of certain word-boundaries.
  8. ^ O’Connor (1973). Phonetics.
  9. ^ Ladefoged, P. (2006). A Course in Phonetics. pp. 35–6.
  10. ^ Ladefoged, P. (2001). Vowels and Consonants. p. 26.
  11. ^ Fromkin and Rodman (1993). An Introduction to La